I’ve decided to document the process of making The Old Man’s Pendant III and this is the first installment. In this debut entry I discuss the challenges of the first two films and the thought process that defines the third one which I’m currently working on.
I often see two forms of advice in response to “what camera should I buy for video?” Some push buying expensive full-frame DSLRs with rigs, but more often the advice is to use what you already own (usually a phone) or get the cheapest thing that can possibly work. I think the latter is good advice, but I also think that it can be bad for the beginner to cheap out too hard on their first camera.
In this video, I ramble about why it makes sense to buy something a little more expensive.